Some of it moves a room, some of it quietens one. Waiting for Brenda are a six piece from Brisbane playing alt-country, rock and blues, built around dobro, fiddle, bass, drums, guitar and vocals, with originals from songwriter Brenda Lee Kelly sitting alongside covers. The covers lean towards Johnny Cash, Lucinda Williams, Billy Bragg, The Pogues, Gillian Welch, Marty Robbins and the Go-Betweens. There's a countrified indie folk thing going on, with more swagger than the description suggests. They've played bars, cafes, festivals, weddings, parties, corporate nights and council events, and the show comes with stories between the songs and a decent amount of dancing.
See Waiting for Brenda play
Watch Waiting for Brenda perform and get a feel for their sound, style and fit for your wedding.
What it costs
PricingQuote on enquiry
For your exact date, venue and running time, we send an itemised quote.
Pricing is confirmed before anything is booked. GST and travel are shown clearly on the quote.
Songs Waiting for Brenda can play
Search their repertoire or browse the list below. Ask us about a first dance or another song that matters to you.
Boots are made for walkingWalk the line- Johnny CashRing of fire - Johnny CashHit the road JackFever - Peggy LeeHarper Valley PTA - Jeannie C RileyThat’s alright Mama - Elvis PresleyJesse James- The PoguesMan you don’t meet every day - The PoguesCan’t Let Go - Lucinda WilliamsConcrete and Barbwire- Lucinda WilliamsEverything is broken - Bob DylanBig Iron - Marty RobbinsCaleb Meyer - Gillian WelchAlone with you - SunnyboysRight here - Go-betweensWagon Wheel - Old Crow Medicine ShowYou’re looking at Country - Loretta LynnNew England - Billy BraggYou woke up my neighbourhood- Billy BraggPunk’s not dead (it’s gone country) - originalWildhorse Mountain - originalShe knows all the words to Patsy ClineDon’t go back to Rockville - REM
No songs match your search.
Good to know
What to expect
Six players on stage, all of them long past the nervous stage, working through material that jumps between genres rather than settling into one groove for the night. There's real energy in how they play it. The room list tells you the range: bars and cafes, festivals, weddings, private parties, corporate nights and council events have all had them, which means they know how to pitch a set at a Saturday crowd and how to pitch one at a Tuesday civic function. Expect a lively show and performers who don't coast.