The act
For a couple drawn to house music as much as jazz, Matty Sax suggests a wedding evening with room for both. His style also takes in funk and soul, with performances shaped to move between atmosphere and music for dancing. You might place the gentler side around your drinks hour and save the dance beats for the reception later on. He makes interaction with the crowd part of his performance, which could suit guests who like to feel involved in the music. More than ten years of performing experience sits behind that approach to an event.
See Matty Sax play
Watch Matty Sax perform and get a feel for their sound, style and fit for your wedding.
What it costs
Pricing
Quote on enquiry
For your exact date, venue and running time, we send an itemised quote.
Pricing is confirmed before anything is booked. GST and travel are shown clearly on the quote.
Good to know
What to expect
Saxophone played live over DJ decks, which gives a dance floor something to watch as well as something to move to. Matty pulls from jazz, soul, funk and house, and where he sits in that range depends on the hour. Smooth and background early, horn lines over beats later. He's been doing it more than ten years around the Gold Coast, he turns up when he says he will, and he talks to the crowd rather than hiding behind the booth. The set gets built off your brief, then adjusted live as the room changes.
On the day
Around two metres by two is enough floor space to set up in. The gear pack covers sound, professional DJ equipment, wireless microphones and RGB bar lighting, so there's very little for you to organise. Extra effects can be added if you ask in advance.
Performance options
A standard booking brings the full sound system, the DJ setup, RGB lighting, and a wireless microphone that handles both the saxophone and any speeches, so you're not chasing a separate mic for the toasts. Setup and sound check are part of it. Extra special effects can be arranged on top if you want more than lighting.
Insurance and paperwork
Public liability insured.
