Glamour, sass and class arrive together when live singing drag performer Esther Rix enters the room. She enjoys mingling with guests but can command attention as soon as the song begins. Her repertoire moves from Dolly Parton, Shania Twain and Gloria Gaynor to musical theatre, Cher, Adele and Olivia Newton John. With enough notice, a specific song can be learned and the performance personalised around your wedding. Her strongest moment is a wedding reception ready for camp confidence, a powerful voice and a performer who enjoys singing while being among the crowd.
Watch Esther Rix - Australia's Most Glamorous Drag Beauty Queen perform and get a feel for their sound, style and fit for your wedding.
Pricing is confirmed before anything is booked. GST and travel are shown clearly on the quote.
Search their repertoire or browse the list below. Ask us about a first dance or another song that matters to you.
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Esther can hold a room just by entering it, but she'd rather be down among the guests than parked behind a microphone. Glamour and sass, plenty of both. When she does sing, the voice is the thing that pins people to their seats, backed by the look and the stage presence. It's live singing, which in drag still counts for something.
She brings her own speakers and microphone, so there's nothing for the venue to supply on that front. The one thing she does need is somewhere private to change outfits, if the show calls for a change.
The repertoire leans on big voices and bigger songs. Dolly Parton is in there with Jolene and 9 to 5, and Shania Twain brings From This Moment On and Man I Feel Like a Woman. Gloria Gaynor covers both I Will Survive and I Am What I Am. Musicals get a good run: Le Jazz Hot, Maybe This Time, Never Enough, Memory from Cats, Beauty School Dropout, There Are Worse Things I Could Do, and Science Fiction/Double Feature. Shirley Bassey handles Goldfinger and Diamonds Are Forever. Then there's Rise Like a Phoenix, A Million Dreams, True Colors, Sound of Silence, Hopelessly Devoted to You, Let It Go, Under the Boardwalk, The Name Game and When We Were Young. Give her enough notice and she'll learn a specific song for a moment that matters.
The show scales to the event, big or small, and gets shaped around what you're actually running rather than dropped in unchanged. Tell her what the night looks like and the performance is built to suit it.
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