The act
The later reception is where DJNavi64's high energy mixing could make the clearest sense in your wedding. He blends different genres and brings several years of involvement in the music scene to the performance. A broad music library supports varied preferences, while his approach is to understand the particular needs of an occasion before tailoring the set. Reading the crowd is central to how he keeps the atmosphere engaging and responsive. His natural moment arrives when the formal parts of the day are complete and guests are ready for a more energetic floor.
See DJNavi64 play
Watch DJNavi64 perform and get a feel for their sound, style and fit for your wedding.
What it costs
Pricing
Quote on enquiry
For your exact date, venue and running time, we send an itemised quote.
Pricing is confirmed before anything is booked. GST and travel are shown clearly on the quote.
Good to know
What to expect
Nothing gets locked in before you've spoken. Navi64 wants to hear what the night actually is, who's coming and roughly what they'll want, then builds the set from there. The library he's drawing on is deliberately broad, everything from 20s and 30s material through to current dance and electronic, with pop, disco, oldies and European music in between, so an odd request rarely stumps him. He turns up with his own sound gear already sorted and reads the floor as it fills. Sydney rooms, big and small, both get the same preparation.
On the day
He brings the sound system and the DJ gear, laptop included, sized to how big the room is and how many people are in it. What he needs from you is a firm table or booth, ideally close to the dance floor so he can see and talk to the crowd, and enough power outlets nearby to run the lot without tripping anything. A very large venue is worth flagging early, because that's when an audio tech on top makes sense. Somewhere to stash a bag and take five between stretches helps too. A quick chat about the room beforehand sorts most of this.
Insurance and paperwork
Public liability insured.
